His latest project is The Birthday Boys, a sketch show that prominently features the LA sketch comedy troupe of the same name. How convenient!
So far, two episodes have been aired, and they have both been pretty awesome. The writing is on point and although I’m not familiar with The Birthday Boys’ previous work, Odenkirk has never led me astray yet.
You can catch The Birthday Boys on Fridays at 9:30c on IFC, or if you can’t catch it or don’t have IFC on your cable package, I hear that there are other means to acquire a digital copy of the programme.
Not that I would know anything about that shady side of the internet…
If your only exposure to Calvin and Hobbes has come from seeing Calvin pissing on a Ford or Chevy logo in the back window of a pickup truck, then WHAT IS WRONG WITH YOU?
Calvin and Hobbes ran in newspapers from 1985 until December 1995, and is arguably the greatest comic strip of all time. I can say that because I will argue that point until I die.
Cartoonist Bill Watterson had this wonderful way of depicting Calvin’s imagined worlds, and transitioning in and out of reality. Much like The Simpsons, Watterson’s work was able to connect with both younger and older audiences. Having read most of Calvin and Hobbes as a kid, I’ve enjoyed re-reading them all as an adult. The entire series has been archived at GoComics.com.
Bill Watterson has been notoriously reclusive, and extremely protective of the original source material. Thats what makes the interview he did withso interesting. You can read it here:
Like every other well-balanced 20-something of my generation, my childhood years were defined by watching The Simpsons. I distinctly remember how important it was to have watched Sunday’s episode so that you could talk about it at school on Monday. This would have been during the tail-end of what is considered the “golden age” of The Simpsons (Any episode from the first eight seasons.)
Now, considering I was only one-year-old when the first season originally aired, I actually caught up on most of the earlier episodes through syndication, which allowed The Simpsons to air five days a week immediately after school. The beautiful genius of The Simpsons was that their comedy audience included both children and adults, and somehow the jokes managed to hit for both demographics. Now as I revisit the earlier episodes for the 50th time (it feels like), I’m finally able to appreciate all the literary, film and other pop-culture references that made the show so great.
I’ll make a point to catch any old rerun of The Simpsons.
However, I can’t recall the last time I’ve sat down to catch a new episode live on Sunday night. Part of that could be that I’m just too busy to find the time to sit down and watch it on Sundays. But the bigger issue is…
The Simpsons really shouldn’t be making new shows on television anymore.
As a bit of an aside, I’ve been working on this post for a while now. I was planning on posting my thoughts on the state of The Simpsons last week, but I felt that it would end up being more of an opinionated rant than anything backed up with facts or first-hand accounts from people who know what they’re talking about. I remembered talking about the decline of The Simpsons with Leif Larsen at the Manitoban offices a few years ago, and he recommended reading The Simpsons: An Uncensored, Unauthorized History by John Ortved. So I read it.
For a fan of the series looking to get a better insight into the creation of The Simpsons and rise to prominence should certainly check the book out. The format can be hard to follow, as there are lengthy quotes from showrunners, producers and writers of the first eight seasons, but the quotes are also the most interesting parts of the book.
(Stories from the writer’s room was the most interesting part of the book, by the way. Especially the chapter on Conan O’Brien, but I might be somewhat biased because I’m a huge Conan fan.)
Anyways, Looking at the first eight seasons, each showrunner got two seasons in charge. Then, Mike Scully took over for season nine and stayed on from 1997-2001. His run was followed up by Al Jean, who has been The Simpsons showrunner ever since, as the show heads into it’s 25th season (!) this year.
Now, part of the reason why The Simpsons will never be as good as the golden-era episodes is simply because back in the early 90s, the show was still fresh, controversial and new. The characters (especially the humongous cast of secondary characters) had not gone through “Flanderization”, which, according to TVTropes.org:
The act of taking a single (often minor) action or trait of a character within a work and exaggerating it more and more over time until it completely consumes the character. Most always, the trait/action becomes completely outlandish and it becomes their defining characteristic. Sitcoms and Sitcom characters are particularly susceptible to this, as are peripheral characters in shows with long runs.
Named for one of the examples in The Simpsons, Ned Flanders, who was originally just a considerate neighbor and attentive father (contrast to Homer), before becoming obsessively religious to the point of lunacy.
But maybe it was the two-parter “Who Shot Mr. Burns?” episode where the show hit one of its highest marks in popularity and hype, while at the same time jumping the shark as a series.
Here’s a test for anyone who considers themselves a Simpsons fan. Go through the full episode list (all 500+ episodes), from season one to season 24, and just based on the titles, see how many episodes you recognize—whether it’s the plot or specific jokes and gags that have stood the test of time. You’ll realize just how stacked the first eight or nine seasons are, compared to the next 15 seasons.
You can also see just how over-the-top the stories became. Even though it’s always been a cartoon with an often absurd and satirical sense of humour, the early episodes were always grounded in it’s own version of reality. Now check out this entry from Wikisimpsons on the upcoming season.
An episode dedicated to Kent Brockman? Comic Book Guy getting married? A Futurama/Simpsons crossover episode?
Anyways, the one thing that I think fans, former-fans, or haters can all agree on is that whenever The Simpsons mercifully comes to an end, it will be an emotional series finale. For millions of people around the world (myself included).
The Simpsons have been there throughout my entire life. And just like something you sort of take for granted after a while, as much as it’s been played out and deserves a respectable close, it will be a sad day when The Simpsons comes to an end.
When I first started using Vine, I didn’t quite know what to expect. It was a neat app with some challenging restrictions. You have six seconds of time per video, recording by touching your iPhone screen, with no opportunity to see what you got until you’ve finished and no opportunity to edit.
What I quickly discovered is that there was a small but growing Vine community of funny people posting some very funny six-second short films. If you’re familiar with the YouTube channel 5secondfilms, you will know that it is entirely possible to be hilarious in such a short amount of time.
One of the funniest people I’ve found on Vine was Bill Stiteler, a 24-year-old stand-up comedian living in New York. What made his vines stand out was his use of crude animation to take Vine into more of the realm you would find with 5secondfilms. You can check out all his vines at this site here, but I would definitely recommend following him on his Vine account through the app as well.
Welcome to the first ever post on my blog. I assure you that things will get funnier from here on out.
For this week’s post, I willI will be looking at a Norwegian comedy duo who have recently blown up on this side of the Atlantic due to a YouTube video posted on Sept. 3, that has recieved over 21 MILLION views in the past ten days.
The group is Ylvis (pronounced “ill-vis”), and the song is called “The Fox”:
Okay, I hope you’re still with me. If that’s the first time you’ve seen the video or heard the song, I’m sure you’re thinking a few things right now…
“What the… What the hell was that?”
To answer your question, that was the latest creation from the minds of Bård Urheim Ylvisåker and Vegard Urheim Ylvisåker. The two brothers have been performing as Ylvis around Norway since 2000. They steadily built up a reputation for themselves over the past decade, which eventually led to their own own talk/variety show. YLVIS, currently in its third season, airing twice a week in Norway. With a background in music comedy, videos for songs like “The Fox” are regularly premiered on their show.
The popularity in their latest music video has come as a shock to the brothers. Bård Ylvisåker is quoted on the front page of the show’s website talking about the origin of “The Fox”:
“This song is made for a TV show and is supposed to entertain a few Norwegians for three minutes — and that’s all. It was done just a few days ago and we recently had a screening in our office. About 10 people watched — nobody laughed.”
I’ll be honest—if I was one of those 10 people in that office watching it for the first time, I certainly would have laughed. My first exposure to Ylvis was through “The Fox”, and it became apparent that this was a brilliant work of satire unlikeotherviralhits that have just been terrible songs. Plus, the guys and their team clearly have a good sense of comedic timing and a keen eye/ear for production values. They put in the work to make a solid final product, and you have to appreciate their creativity even if you don’t necessarily find the song entertaining.
But “The Fox” is actually just the tip of the fjord. Ylvis has a couple other english music videos that are possibly better than The Fox, in terms of accessibility and catchiness.
First, there was “Someone Like Me”, posted on the tvnorge YouTube channel on Sept. 12, 2012, which mashs up a pleasant love song with beat-boxed dubstep bass-drops. If you’re familiar with the tropes of dubstep, then you should enjoy what they do here:
From there came my personal favourite, “Jan Egeland”, an epic rock ballad tribute to Jan Egeland. Egeland is a Norwegian politician who has held such titles as Deputy Director of Human Rights Watch, and Deputy Secretary General to the UN.
“I guess we felt that he’s like a big hero but he could walk the streets of Norway without being recognized, I guess, at least by the people in our age. So we felt that it would be cool to give him the attention he deserves. We just wanted to honour him. We haven’t heard his reaction yet, so we’re excited to hear what he thinks. I think he’s more busy saving the world still, he’s around providing some contracts about not using land mines in war and doing some peace talks.”
One of the best things about the video is that the music itself is amazing. Then there are the lyrics, which are ridiculous. The live portions of the video are genuine, recorded from a stadium show in Norway:
Then there’s their newest music video, uploaded Sept. 6, 2013, titled “Stonehenge”. Just like “The Fox”, it’s best to first experience the video with no context or advanced info:
So what does the future hold for Ylvis? Well, time will tell whether or not “The Fox” will reach “Gangdam Style” levels of popularity leading to radio play—weirder things have happened.
The world should now be fully aware of these Norwegian comedians, and I personally can’t wait to see what material they come up with next.